Anything remotely considered ‘punk’ is, by design, meant to be decisive in it’s very nature. So, even with the tassels of ‘pop’ or ‘glam’ sub genre’s tacked on, a punk band that seeks to become a thoroughly accessible, all encompassing live experience is anarchic in itself, right? Well dreams of this nature are being realised by London glam-rockers Bexatron who, through lead track ‘Dirty Disco‘, are establishing themselves as a ‘must see’ live event.
At first listen, the most noticeable quality the record has is it’s undeniable levels of energy it holds – certainly a great place to start to feed the awaiting masses. In some cases, a high level of production is a thinly veiled mask giving a tired cause an artificial resuscitation, only for the live performances to be found wanting. For Bexatron, Rebecca Eite up at the front is looking to establish herself as something of an icon, a ‘Neo-Blondie’ for the modern era. Through her, a sense of authenticity is ever-present an permeates through the spirit of the record as a whole.
This is the kind of music that is sure to thrive in inner city suburban surroundings. Highly visible bass lines subconsciously slide your stance towards a backward lean as mind follows feet. Imagine being grabbed by the sleeve and forced on the dance floor, only to find the masses aren’t all wearing gin-thinned mascara and stompy boots. The simplicity of the song structure does a lot to ensure the music is easily accessible, dare-I-say DJ friendly, framing Rebecca Eite as an enviable front-woman for the modern age to be seen, heard and emulated.
Bexatron have taken great strides towards engaging with their fans – offering back stage passes and regular giveaways to fans, which then goes a long way towards making individuals feel just a bit special. Small movements here could pay huge dividends when looking to establish yourself as an icon and, already having scheduled a headline tour in the UK over November and December 2018, with European dates to follow, is a clear testament of that.